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A NOTE ON THE FILM

Seeking Rapture comes from a deeply personal place. I have known what it is to lose agency inside a relationship and not recognize it while it was happening. The film uses two lenses to look at love and to ask what it is, not in theory but in practice, where faith, pleasure, and control can blur. Through these angles, the real complexities of devotion and desire come into view, the territory where care and harm share a border, and where surrender can look like freedom.

In this story, Jackie walks through two versions of the same promise. One feels sanctified. One feels seductive.

Neither is simple. I am not arguing for or against belief or pleasure. I am watching how they move through us, how they hold us, and how a person might still claim agency from inside them.

I meet many people, men and women, who stay in relationships that start with care and end in harm, not because anyone is purely good or bad, but because real lives are messy and people are doing the best they can. It is a tragedy of missed perspectives, of lives not fully understood. This film is my contribution to a deeper understanding of the human experience. It is not here to judge or to solve. It is here to observe and to ask where choice might still be possible.

- Maddie Ragan
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References

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TONE

 

psychological

intimate

raw

unsettling

atmospheric

haunting

dreamlike

melancholic

seductive

tragic

ethereal

nostalgic

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